Replicant
"Memories In Replicant , Mata draws a post-reality in which both body and mind, the latter refers to the real in a culture based on image-absorbed and remanufactured into the mind of the drill, as future collective memories of a past that never happened, massive shorting of eternal recurrence.
If the book Simulation and Simulation, Baudrillard perhaps exaggerated death of reality for rhetorical purposes, Mata presents a grotesque materiality in reference to post-human as a reference without referents: a digital Bellmer Dolls, an infinitely reproducible and reconfigurable simulation, far from being human and far beyond the image of God, yet from a figure made human thought.
In fact, within the gloomy vision of Mata, the experiences become insignificant in human form purely aesthetic mutable and death is obsolete. To borrow the phrase of the political philosopher Brian Massumi, humans in the world of Mata have become "more real than reality" -
Challengers Promised an omnipotent creator, or more precisely the nature. The question remains whether in this advanced stage of the simulation, there remains the possibility of resistance - simply exist outside of it - and, moreover, if anyone remembered otherwise. (Extract of yau.com.mx )
Taking this conclusion, we share some pieces published in Alexis Smells like death:
This exhibition of works of the last times of Alexis, is a preámublo to the new collection Memories Replicant where we find big surprises in terms of themes, techniques and formats.
The date is Saturday April 2 at 2 pm in Gallery Yautepec , Melchor Ocampo 154-A (corner Antonio Caso), col. San Rafael. Mexico City
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